PF Bentley - world class Time Magazine photojournalist - world class video journalist as well
 

Photographers Move To Video

Posted November 03, 2016
Share To
 
 

In a recent article in WITNESS , professional photographer Adrian Hadland discusses the state of the professional photography business.

It is a profession under enormous pressure.  The advent of digital photography, and smart phone cameras in particular have made 'everyone' a photographer - if not a professioal.

For those who made their living, or who continue to make their living with a still camera, times are difficult, and not likely to get better.

You may (and should) read the entire article at the link above, but the most interesting pargraph, from my perspective, was this one:

With billions of camera-equipped smartphones in circulation around the world, some participants bemoaned what has been called the “massification” of image creation. “Everyone is a photographer nowadays,” said one plaintive contributor.

To survive and thrive in the digital era, photographers were diversifying their skills and services, our study revealed.

We found that photographers were increasingly being asked to produce video content for clients. This year, 37 percent of the study’s respondents said they were required to work with video compared to 32 percent last year.

Almost all of the study participants said they would prefer to shoot only still photographs, but had little choice than to provide what their clients and the market wanted.

In my own experience, professional photographers can make a powerful transition to video. They have the 'eye' and they know where to place a camera.

Video is primarily a visual medium. Shooting great video is a lot like creating a picture-driven story, but with a 10 second exposure for each shot, instead of 1/125.

That having been said, what photographers need to add to their arsenal is storytelling.

Which is what we really focus on at TheVJ.

Marry a great eye with great storytelling, and you create a killer videographer.

That doesn't preclude someone from still taking stils (I still do!), but it really expands the potential for getting and delivering great work for pay. 

 


Recent Posts

Character-driven journalism is not new to newspapers, though it once was. It was once called The New Journalism in the 1960s — see Truman Capote or Tom Wolfe. Today it is industry standard. Why not take the Sopranos or Breaking Bad formula and marry it to TV journalism? (How many interviews have you seen in The Sopranos? How many Man on the Street soundbites have you seen in Breaking Bad?)


In a recent study by The Reuters Institute, 40% of Americans no longer watch or read the news at all. They find it too depressing. All doom and gloom.


There is a great deal of concern, well placed, that few people under the age of 30 watch TV news. Viewership of TV news in general has fallen off, so naturally, TV executives across the boards are searching for a solution. How to appeal to a demographic that spends most of their time on social media?


Share Page on: